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But it was in the 1930's that Handel really would begin to impact and alter the trajectory of music and musical composition through the creation of the new genre of Wholetones Review the English Oratorio. The English Oratorio was much like the Italian form of the genre as it set dialogue in lyrical and recitative verses, but then was combined with foreign elements from the French drama, Greek tragedy, German passion, and most importantly the English masque. These characteristics combined together was enough to solidify the fact that Handel was to be the greatest musical figure of all time, and one of the most respected people in all of London and England. One of the most important contributions the Oratorio made was to the vocal setting, and through the addition of the chorus. What made this such a huge success for Handel and for the popularity of his music was the sheer fact that Handel was able to create unique effects with the orchestration of the vocal score to create a simple form that alternated in the written passages of verses from an open fugal style to that of a solid harmonic sound. This added with the orchestra, who normally was scored in a way to support the vocal parts created a work that was not only easy to sing, but also made it accessible to the general public, making it established that "Handel is the musician of the people." This form of music was never meant http://quantumvisionsystemreview.org/wholetones-healing-music-review/ to be suited for the church, the Oratorios were meant for concert hall performance settings and thus even though the Messiah, one of Handel's most well known piece was written as an Oratorio, it was actually seen more as a "sacred entertainment" piece.