Washblog

Radio & TV Pundits Walking on Eggshells Now

{update} I posted this without having noticed Richard Champlin's recent diary on this same topic. - Arthur

Imus' cowboy image over a long career based out of New York City.
The younger "cowboy" pictured above on the right looks more like a tall Dudley Mooore than he does the Marlboro Man.

Don's a long time city slicker despite the wardrobe suggestion of cow poop and saddle sore background with its implied folksy trail-hand wisdom.

Images: finelineweb.com
The Bill Dulmage Radio & TV Archive

Don Imus lost his job because what he thought would be cute, funny or acceptable ... wasn't.

Imus has had his radio show for years, inviting an impressive array of public celebrities comparable to the same celebrities who routinely appear on the Tonight Show and David Letterman ... movers and shakers 

I read somewhere yesterday that broadcast personalities have considered an appearance on Imus' show a definite boost to their careers. 

 Imus' on-air personality and style has been a tavern version of Leno or Letterman - complete with foil companion, McGuirk, with whom Imus could carry on his cool-guys repartee.

You know ... the sort of thing we saw or did in high school when insiders made fun and private jokes about all the outsiders. 

Imus for the most part focused his personal comedic or mocking jabs at public celebrities more deserving of satire, parody and mockery. 

This time, however, his cool-weather-beaten leathered-face mode uttered highly offensive remarks at a group of innocent ladies who - if you remove the momentary fame of an NCAA Basketball Tournament success - in no way deserved, merited or even needed to be dragged into anybody's shock jock good-ole-boy routine.

We've all laughed at this sort of humor for years ... stand up comics, Late Nite Carson, Leno, Letterman and Maher types with their double entendre humor and enough shock-spice to make us laugh ... right?

For years I've told others that I know I'm not supposed to laugh at the belittling of another person, but it's so damn funny.

... for years.

But then, without wanting to wander into some group tent of political correctness, 1st amendment suppression or sanctimony, I still have to say that Imus' statements and the ensuing outrage does suggest that we ought to ask ourselves why that kind of humor is supposed to be funny?

... especially if we or someone we cherish gets treated that way.

 ... or why we even laugh when smirkers smirk ... as if smirking and belittling innocence is  something a decent society tolerates.

It isn't about suppressing 1st amendment rights or creating a world of public "gotchas" where public voices have to walk on egg shells.

It's about awakened social awareness and the silly notion that we don't always have to be crude just because our right to do so is guaranteed. 

News Sources for this story:

Boston Herald 

Chicago Tribune 

St Louis Post Dispatch 

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...this week defines more clearly the style and assumptions underlying Imus' show and what got said.
Or so he thought. Imus, who had been on the air for more than three decades and claimed he'd practically invented shock radio, had spilled countless words into the ether, many of them crude, tasteless, racially charged and intended to insult. Most of them simply evaporated. He got a thrill from his role as a provocateur, and rarely missed a chance to push the boundaries.

Imus's show, like the shock jock himself, had always been something of a one-man culture clash. At 66, the "I-Man" was still big on tasteless caricatures of anyone in the news, or in his sight. (He called Dick Cheney "Pork Chop Butt.") He seemed to revel in reducing his targets to crude racial and ethnic stereotypes. A running gag had McGuirk lampooning New York Roman Catholic cardinals John O'Connor and Edward Egan as vulgar Irishmen with thick brogues. Arabs were "ragheads." NBA star Patrick Ewing was a "knuckle-dragging moron." McGuirk did an impression of poet Maya Angelou, telling whites to "Kiss my big black a--."

But Imus took special pride in his unlikely role as host and scold to the nation's ruling political class. He goaded the journalists and politicians who begged to appear on his show, belittling them as "fat losers" and "baldheaded weasels" or worse, and asking, with mock solemnity, for their analysis of the presidential "erection." He once called Washington Post reporter Howard Kurtz, a regular on the show, a "boner-nosed, beanie-wearing Jew boy."

Arthur
You sure you ain't staking too much on yer theories? Not enough common sense?

by Arthur Ruger on Sun Apr 15, 2007 at 08:11:58 AM PST

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Anyone who's been physically or verbally abused -- and told it was a joke -- knows that's triple abuse.  You are a victim of the injury itself, of a denial that the injury has happened, and of the insult to your intelligence (can't you take a joke?)  This is true exclusion.  I know it in minor form -- enough to be angry right now as I think about it.

It happens all the time, it is pervasive, for people of color and not uncommon for women.

Racist and sexist remarks are a form of violence.  Those remarks are not innocent or funny and they never were.  They are scornful, they deny humanity and reinforces the economic and social violence that results in Black, Native American, and Latino people making less money, living in more polluted communities, losing more of their babies; getting less education but more incarceration, dying younger, higher levels of incarceration, etc.  These remarks are a form of violence to all the people who hear them, regardless of color.

Imus is old, played out, behind the times.  I grew up in NJ and NY listening to him on AM radio. 25-30 years have gone by since my childhood and during that time it has slowly unfolded for me what a racist milieu I grew up in -- and how racism persists now.  I hadn't understood this because my parents weren't racist.  And it's difficult to see the cultural norms that you're inside of.  When my Black friend was called the N word in school, for example, I was so shocked, I didn't know what to think.  When I was told three separate times while looking for an apartment in NYC in the 1980s that I'd feel comfortable because minorities were not allowed, I knew that was racism and I turned down an apartment because of it.  But I didn't know enough to report it.  Hurricane Carter was framed and put in jail in NJ when I was a child -- that famous crime of the time and place that I was shaped in.  Even though I listened to the song about him by Bob Dylan, I was oblivious to that crime, I didn't feel a connnection to that person in jail.  Imus' voice was on the radio that whole time.  Did he ever speak of Hurricane Carter?  He's stuck inside a corrupt cultura norm -- and he's been keeping everyone else stuck.  Good riddance to him.

It is an extremely hopeful sign of the times that Imus has to pay -- that he's cleaned off the air.  It is an absolute embarrassment that any radio personality thinks he can get away with such violence.  

by noemie maxwell on Mon Apr 16, 2007 at 02:11:33 AM PST

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